Sunday, October 19, 2008

Order of Myths w Margaret Brown in person. Highly Recommended

I really love this film! Come see Margaret Brown in person for this special AFS presentation in advance of her Alamo South premiere on Friday. Or go when it opens. Just don't miss it.




THE ORDER OF MYTHS
With Director Margaret Brown In Attendance
Monday, 20 October 6:30 PM | The Alamo South Lamar (1120 S Lamar)
Tickets are $4 for AFS Members and $6 for Non-members. Buy Tickets>>

The first Mardi Gras in America was celebrated in Mobile, Alabama in 1703. In 2007, it is still racially segregated. Filmmaker Margaret Brown (“Be Here to Love Me: A Film About Townes Van Zandt”), herself a daughter of Mobile, escorts us into the parallel hearts of the city’s two carnivals. With unprecedented access, she traces the exotic world of secret mystic societies and centuries-old traditions and pageantry; diamond-encrusted crowns, voluminous, hand-sewn gowns, surreal masks and enormous paper mache floats. Against this opulent backdrop, she uncovers a tangled web of historical violence and power dynamics, elusive forces that keep this hallowed tradition organized along enduring color lines.

Watch the trailer for THE ORDER OF MYTHS>>

Buy Tickets>>



Official Film website: http://www.theorderofmyths.com/

THE ORDER OF MYTHS opens theatrically at The Alamo South Lamar on October 24. Tickets are available at http://www.originalalamo.com
The first Mardi Gras in America was celebrated in Mobile, Alabama in 1703. In 2007, it is still racially segregated. Filmmaker Margaret Brown (Be Here to Love Me: A Film About Townes Van Zandt), herself a daughter of Mobile, escorts us into the parallel hearts of the city's two carnivals. With unprecedented access, she traces the exotic world of secret mystic societies and centuries-old traditions and pageantry; diamond-encrusted crowns, voluminous, hand-sewn gowns, surreal masks and enormous papier-mache floats. Against this opulent backdrop, she uncovers a tangled web of historical violence and power dynamics, elusive forces that keep this hallowed tradition organized along enduring color lines. Prize winner at Silverdocs, and official selection at Sundance, SXSW, Full Frame, Edinburgh and LA Film Festivals.

http://www.cinemaguild.com/orderofmyths/

FILM FESTIVAL LIST:
World Premiere, Sundance Film Festival, 2008
Winner, Cinematic Vision Award, Silverdocs, 2008
Official Selection, Full Frame Documentary Film Festival, 2008
Official Selection, Edinburgh International Film Festival, 2008
Official Selection, Los Angeles International Film Festival, 2008

The film’s running time is 80 minutes; it is not rated.

CRITIC'S PICK! "A WISE AND SOBERLY AFFECTING DOCUMENTARY.”
– Manohla Dargis, The New York Times

“BRILLIANT. HEARTBREAKING. A WINNER!”
– David Edelstein, New York Magazine

“BRILLIANTLY CAPTIVATING. AN INVALUABLE PORTRAIT OF US-AND-THEM AMERICA, A SMART, GENEROUS, POIGNANT, QUIETLY DISTURBING MOVIE.”
– Robert Abele, LA Times

“THE KIND OF ILLUMINATING WORK THAT SENDS AUDIENCES STUMBLING HOME IN A WIDE-EYED STATE OF ASTONISHMENT. A HAUNTING AND IMPORTANT DOCUMENTARY.
– S. James Snyder, The New York Sun

“THE ORDER OF MYTHS IS THE BEST DOCUMENTARY IN AGES, AND ONE OF THE BEST FILMS OF THE YEAR.”
– Jeff Reichert, Reverse Shot

“HIGHLY SOPHISTICATED NONFICTION FILMMAKING. WONDERFULLY VIVID.”
– Michael Koresky, Indiewire

“AN INTIMATE EXCAVATION OF THE HISTORY OF AMERICAN RACISM.” CRITIC’S PICK
– Logan Hill, New York Magazine

“QUIETLY SHOCKING. DEFT, ENGROSSING.
– Vadim Rizov, The Village Voice

“REMARKABLY ASSURED. A LEVEL OF CRAFT THAT STUNS.”
– A. J. Schnack, Indiewire

“SMARTLY EDITED, UTTERLY ENGROSSING AND AS INTELLIGENT AN EXAMINATION OF AMERICAN RACE RELATIONS AS I’VE SEEN.”
– Pete VonderHaar, Film Threat

“A MOVING AND SURPRISING DOCUMENTARY.”
– Andrew O’Hehir, Salon.com

“A RICH PORTRAIT… BROWN PRESENTS A COMPLEX, PROVOCATIVE VIEW; AND SHE ENDS WITH ONE OF THE MOST MYSTERIOUS AND CHILLING TAG LINES EVER.”
– Andy Klein, LA City Beat

“A GREAT REMINDER THAT, EVEN IN THE YEAR OF OBAMA, WE REMAIN A NATION DIVIDED BETWEEN BLACK AND WHITE.” CRITICS’ PICK
– David Fear, Time Out New York

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